Jan van Noordt created probably the most flamboyant and expressive work of the Dutch Golden Age. David de Witt untangles truth from fiction during this entire examine of the existence and paintings of Jan van Noordt, providing an in depth biography in keeping with an intensive overview of the documentary facts.
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Extra info for Jan van Noordt: Painter of History and Portraits in Amsterdam
Verse 38, observe forty nine extra characterizes Joseph as a pacesetter in Egypt: “Verstaet wijsheyt en voorsichticheyt/ die Godt sijne geest desen guy op eene bysondere wijse gegeven heeft. ” (Meaning knowledge and foresight, which God gave this guy via his spirit in a different way). three Astrid Tümpel lists 3 models of the subject by means of Moyaert: panel, sixty nine x 103 cm, monogrammed and dated 1633, Budapest, Szépmüvészeti Múzeum (inv. no. 5259) see: Tümpel 1974, ninety four (illus. no. 126), 252–3, no. forty eight; canvas, 122 x 168 cm, monogrammed and dated 1644, Stockholm, with B. Rapp, in 1956: Tümpel 1974, 114 (illus. no. 154), 253, no. forty nine; canvas, 136 x 179 cm, c. 1650, Kingston, Agnes Etherington artwork Centre (acc. no. 23–038), see Tümpel 1974, 122 (illus. no. 167), 253, no. 50. ninety two 4 Olivier LeBihan famous the relationship with the portray in Bordeaux: assortment catalogue Bordeaux 1990, 226–7. five Pieter Lastman, Joseph promoting Grain in Egypt, panel, fifty eight. four x 87. 6 cm, signed and dated 1612, Dublin, nationwide Gallery of eire (inv. no. 890). See Kurt Freise, “Rembrandt und Lastman,” Cicerone five, 1913, 610–11 (illus. ), and Hermina Tunsina van Guldener, Het Jozefverhaal in de Nederlandse Kunst van de zeventiende eeuw, dissertation, Utrecht, 1947, 78–80. See additionally exhibition catalogue Amsterdam 1991, seventy five, illus. 22, 23. 6 Pieter Lastman, David and Uriah, panel, forty-one. five x sixty two. five cm, signed and dated 1619, The Hague, Mauritshuis, on personal loan from the Instituut Collectie Nederland (inv. no. nk 2834); see exhibition catalogue Amsterdam 1991, 108–9, no. 12 (illus. ). catal og ue three ( p) The Levite and His Concubine in Gibeah ( Judges 19:16–21), canvas, forty eight x 60 cm, previously signed and dated 1673, current situation unknown provenance Paul Mantz sale, Paris, 10 may well 1895 (Lugt 53522), lot seventy two (as Generosity, via Jan van Noordt, forty eight x 60 cm, signature in part effaced: “Un homme richement costumé à l’orientale est assis à droite. Une jeune femme s’appuit sur ses genoux. Derrière ce groupe, un mulet chargé de bagages. A gauche, un vieillard debout semble inviter les voyageurs à pénétrer dans sa maison. l. a. femme placée au greatest plan est celle que ﬁgure dans los angeles Continence de Scipion de musée d’Amsterdam. ” [A richly dressed guy in oriental costume is seated to definitely the right. a tender lady bows on her knees. at the back of the gang a mule loaded with luggage. on the left, an previous guy status turns out to ask the travelers into his residence. the girl within the foreground is equal to the one that seems the Continence of Scipio within the museum in Amsterdam]); Vienna, number of Wilhelm Ofenheim, in 1930 l i t e r at u r e Hofstede de Groot 1892, 213, no. 17, 217, no. 18 (as an old topic with 3 ﬁgures in a panorama, signed “J. ... rt” and dated 1673); Wurzbach 1906–10, 2:243; Kronig 1911, 156; Poglayen-Neuwall 1930, one hundred thirty (illus. ﬁg. 6, as a Biblical Scene through Barent Fabritius); assortment catalogue Louvre 1929–33, 3:42, without. 1233 (as the Levite in Gibeah, by way of Van Noordt); Sumowski 1983–94, 1:142n49; Manuth 1987b, 114n387 J udges 19 tells of a Levite vacationing together with his concubine during the quarter of Gibeah and preventing in a city sq. to relaxation for the evening.